It’s a quiet Monday following the usual weekend in the company of Gill and family. Unfortunately we did not manage to bike it up to Abney Hall near Didsbury this time but I would like to go and investigate this old place of childhood memories maybe next weekend. Photos could follow.
I noticed that Martin had a copy of the legendary Velvet Underground with Nico album c1966; you know the one with the yellow banana cover by Andy Warhol. I had a vinyl copy many years ago as it became something of a belated punk era icon and must-have item. The poor production quality in evidence on the CD confirms that my old LP was not a duff cut but instead just as faithful a reproduction of Andy Warhol’s accidental or deliberate bad production. Despite this it still remains a quite remarkable album, stylistically at least fifteen years ahead of its time. But as always my favourite tracks are the ones featuring the extraordinary dark voice of Nico (Christa Paffgen), hardly surprising for a fan of Stereolab who in some ways evoke the Velvets aesthetic as did so many other bands not least Joy Division.

Those of us who can remember the pre-Madchester days when Tony Wilson’s Factory organisation called the shots will recall the gracing presence of this enormously charismatic woman hovering on the periphery of the scene and contributing to Manchester’s very own sense of Warholesq bohemia. Nico became something of a resident icon for Factory in those days, confirming its status as a label that had “artistic values” and attempted to echo the traditions of Warhol’s Factory studio after which the record label was named. There was an equally legendary album (within Manchester music circles) produced by Factory’s very own Martin Hannet that featured Nico and superior reworkings of her Lou Reed songs off the 1966 Velvets album but I can’t find a copy anywhere. It was recorded at Cargo Studios in Manchester c1978 and I can still remember the huge “buzz” it generated amongst the black raincoat brigade and all of those in the know. Yes, Nico shared wall space with Ian Curtis in my teenage bedroom and that kind of sums the whole thing up….you had to be there.
It is quite heartening to see that a substantial proportion of the younger generations are still taking music seriously and are able not only to pick out the very best from previous generations but also develop a taste for more contemporary artists that keep the flame of cultural complexity and artistry in (non classical) music very much alive.



