The weather has been slightly more unsettled today with a little intermittent drizzle. Lighting conditions will still not permit me to undertake a few local photo experiments, which I have in mind; but things are bound to change soon.
Heading out of Bollington and deep into the night.
Last night I managed to do a full circuit of the Bollipot Loop without mishap — (mental note to self) must return Jane’s light! This time I had the good sense to take one of my cameras, actually a bit of a cop-out as I decided to take the little Sony w50 — which is still rather surprisingly good and allows a lot of creative latitude — no pun intended mind! Generally, it is not quite up to ultra low light exposures as the slowest shutter speed is about 2 seconds but it did allow me to capture some interesting deliberately shaky shots of lit objects and also carry out a little “light painting” with my bike lights. A kind of luminous abstract homage to the Bollipot Loop I think.
I seem to become ever more taken with Bollington every time I visit the place, the cosy sense of community, a certain down to earthiness and the general aesthetic of the architecture, which is both typically rugged and at the same time quirky and whimsical. Bollington is full of intriguing little details. The shear variety of cottage door designs and also the way that people decorate the stone lintels and a door surround is a very charming feature. Bollington does have some semblance of an active cultural life, which is contemporary and genuinely artistic.
Night Ride
light painting with LED bike lights on drystone wall Bollington.
Next I need to do the much more challenging trip up to Bakerstonedale and Charles Head where wind formed Scots pines and gorse bushes line the hilly high altitude roadsides. A landscape which can at times appear very surreal and cries out for my black and white treatment.
Since Farrow & Ball set up shop in Wilmslow I have noticed a steady return to more traditional paint colours and finishes on a lot of the local buildings. Prestbury is starting to look a little more colourful again with personalised but tastefully traditional paint applications on New Road instead of the universally applied and rather drab black and white timber work. I have noticed quite a lot of transformative activity in and around the village since I have been enjoying the luxury of extended free time, job in-betweening or whatever euphemism is currently in vogue for the inevitable down side of capitalist labour exploitation. The large swath of land behind Ford House (the village allotments during the war apparently) is currently being landscaped, no doubt for private use. This patch would make an excellent communal village green but I have an awful feeling that it is either going to get built on or turned into a car park — eventually. The old vicarage is all being done up and the charming features of Spencer Brook close to the start of the Vicarage drive way have all been enhanced and cleared of vegetation — or something? I can’t ever remember the stream feature down there but this may be because it was so overgrown.